Friday, March 9, 2012

Perro Verde wins at Cartoon Movie

LYON, France -- Manuel Cristobal's Perro Verde Films won European Producer of the season in the 14th edition of Cartoon Movie, the animation small-mart that wrapped Friday in Lyon. Perro Verde was competing against two Gallic companies, Moonscoop and Blue Spirit Animation. France's Remi Bezancon and Jean-Christophe Lie nabbed the ecu director jerk for 2D adventure "Zarafa," beating Bibo Bergeron for EuropaCorp-created "Monster in Paris," and also the Danish trio, Thorbjorn Christoffersen, Philip Einstein Lipski and Kresten Vestbjerg Andersen, for "Ronal the Barbarian."Belgium's Cineart won the ecu distributor kudo over Romania's Transilvania Film and Pathe, which works in France and also the U.K. Marc Bonny, founding father of leading French arthouse company, Gebeka Films, that is located in Lyon, was feted having a special tribute in the Rhone-Alpes region. Gebeka's slate includes Jean-Francois Laguionie's "The Painting" and "Couleur Miel," a hybrid live action-animation pic helmed by Laurent Boileau and Jung Henin.Galicia-based shingle Perro Verde was setup by Cristobal in 2007. It created Ignacio Ferreras' feature debut "Facial lines," that was pitched at Cartoon Movie this past year coupled with its Gallic premiere in the mart on March 7. The pic, the company's fifth feature, is repped by 6 Sales. Cristobal told Variety that Perro Verde is creating a second toonpic with Ferreras.The business's credits likewise incorporate "Talking.Inch "We goal to carry on creating family features in addition to films like 'Wrinkles' that push the limitations of animation by addressing moving difficulties with humor and endearing figures," Cristobal told Variety. Contact the range newsroom at news@variety.com

Monday, March 5, 2012

Finally! The Kardashians Meet Kubrick in Chilling Shining-Themed Photo Shoot

At long last, the meeting of influential cinema icon Stanley Kubrick and the amorphous multi-headed entity known collectively as The Kardashians has occurred, and here is the photographic evidence: Kendall and Kylie Jenner, younger sisters of Kim Kardashian and the other two from that show you know you watch when no one else is looking, pose a la the creepy twins from The Shining with matriarch Kris Jenner as... uh, you tell me. This particular photo shoot from the lesser Kardashians' guest visit to America's Next Top Model required its model-contestants to pose as toddlers. Naturally some genius dreamed up this scenario. I mean, all of the classic Kubrick signatures are here in this image, from the bright playroom colors to the clown lurking in the background to the leggy model-contestants posing at Kris's feet to the pastel cut-outs proclaiming "GLAMOROUS" on the wall. "Glamorous" is what Kubrick was all about, right? [Celebuzz]

'Prometheus' Fever Dream Inspires Crazy Talk

This normally takes some time before it seems sensible (whether it ever does), so bear beside me. But... I'd an aspiration. Not really a metaphoric dream, a literal one: about "Prometheus," actually! Inside it I had been part of the science team sent around the Prometheus to check out the mysteries of mankinds beginning or whatever. To tell the truth, I truly had no clue why i was there, the dream just kind of began -- something which anybody who saw "Beginning" will understand. In the world, we found something. No, it was not a crashed Space Jockey mothership full of alien eggs. Actually, we didnt even see Space Jockeys. But what we should did find would be a mysterious machine the most mystery and machineriness. It had been massive, and was clearly Space Jockey tech. We did the only real factor we possibly could do: we switched it on. We rapidly recognized it was no mere machine, but a repository of all the DNA of each and every creature the Space Jockeys had ever touch -- an Ark for a moment, similar to that subterranean seed bank they've in Norwegian. Not alone made it happen store all of this information, it had been also in a position to rebuild these creatures near immediately... also it would butchers many of these animals and using them as packed meat for that Space Jockeys to eat. It behooved us to eliminate this factor, clearly. We found a self destruct button, so when we pressed it, an adorable little egg sprang out. It hatched, and facehugged the closest living factor, and in a day, we'd an military of 10000 aliens at our backs, hunting us lower. The Finish. As you can tell, I've crazy dreams. But that which was the purpose of that lengthy story, you are asking? Well, the dream got me thinking. Word has it the new Ridley Scott film takes up large, heavy striking issues, potentially from the world-determining variety. Did aliens go to an early on time? Shall we be descended from their store? Were we produced by them? None of those solutions found me within the dream, only one factor was certain: In my opinion the xenomorphs that we understand and fear from Scott's genre-determining film were actually produced. Designed will be the perfect word. Those are the perfect weapon. Drop some eggs on the planet of the opponents, watching them wilt before your vision. In my opinion the area Jockeys produced the aliens because the ultimate weapon, the fail-safe switch if everything visited hell. Clearly once we learned, the Space Jockeys couldnt control their very own creation. During my dream, a minimum of. None of the is real, obviously, but an admirer can dream... and dreams are occasionally more real compared to what they appear. Anyway, while we are considering "Prometheus," go take a look at Guy Pearce's TED talk from 2023. That's no dream: that's just pure "Prometheus" masterdom. When Talk Nerdy co-host John Phares will get a concept in the mind, Crazy Talk is certain to ensue. Watch this space because the mad hatter of fandom takes impossible ideas and spits out Hollywood gold (approximately he loves to tell themself). Get angry at him on Twitter at @pharesvswild.